Well, I like to hear singers singing, I don't like to hear them talking about singing - nor watch them playing ping-pong or the like. But I think this clip is nothing but the standard procedure by which such projects are said to have to be offered to the public. And there is a way of getting 'solemnly' when dealing with lyrics that is a bit nauseating to me.
On the other hand since I think Mrs. Meerbaum-Eisingers poetry is worthwhile being read I cannot think of no good reason why it shoudn't be listened to. Although you are right - at least I could have thought of singers much more to my liking.
Discussing presence or absence of 'kitsch' in lyrics - especially in lyrics being created under such ridiculous circumstances - I don't really feel apt to do. Sometimes I would agree with you regarding Mrs. M-E's poetry, and then I would strongly disagree. I do like her poetry - perhaps the way I like a pair of glittering shoes with broken heels that can't be mended.
july 2010 talk: 'i blog therefore i am' @ Freie Universität, berlin/ germany (symposium) june 2010 rahmenprogramm bachmannpreis @ arcotel moser verdino, klagenfurt/ austria (reading) april 2010 www girls, mädchenmannschaft (interview) march 2010 lauter niemand, 10th anniversary edition (publication) december 2009[sic] zeitschrift für literatur (featured) november 2009 www.lyrikmail.de (featured) september 2009 laufbotschaft "Politikpoeten" @ www.lyrikkritik.de (commentary) june 2009 literary journey sponsored by ARCOTEL Hotels, linz/ austria, klagenfurt/ austria, zagreb/ croatia (poet in residence) may 2009 metroprolet.net (featured poem) december 2008joachim wendels rumpelofen @ kaffee burger, berlin/ germany (reading) september 2008alexander gumz (compliments and permission to use his work) august 2008lauter niemand poetik 2008 (featured) literaturautomat, düsseldorf/ germany (featured) june 2008 hotel moser verdino, klagenfurt/ austria (reading) präsenzprosa beim bachmannpreis, klagenfurt/ austria (for FM4)march 2008fm4 wortlaut (jury member) bierstindl prosafestival, innsbruck/ austria (reading) february 2008 othmar seidner jungautorenpreis (nominee) january 2008 mischa strümpel (compliments and permission to use his work) december 2007nahaufnahmen (publication) november 2007 ballhaus ost, berlin/ germany (reading) wortklauber radio kärnten (interview) ballhaus klagenfurt/ austria (reading) october 2007 lauter niemand (publication) volltext (publication) marcus roloff (compliments and permission to use his work) september 2007 fm 4 writing competition (winner, featured in book and audio book) der standard (publication) august 2007 lichtstrahlverlag (featured in anthology) july 2007 fm 4 wortlaut (shortlist) june 2007 felix römer (compliments and permission to use his work) may 2007poetry slam bastard (berlin/ germany) hendrik jackson (compliments and permission to use his work) florian voß (compliments and permission to use his work) poetry slam scheinbar varieté (berlin/ germany) april 2007 joachim sartorius (compliments and permission to use his work) schiffbau poetry slam (zurich/ switzerland) poetry slam café atlantik (freiburg/ germany) kiezmeisterschaft poetry slam (munich/ germany) ken yamamoto (compliments and permission to use his work)
character building in
zurich/ switzerland (1983 - 1989) frankfurt/ germany (1989 - 1994) san francisco/ usa (1994) frankfurt/ germany (1994 - 1995) london/ uk (1995) frankfurt/ germany (1995 - 1997) amsterdam/ netherlands (1995) agadir/ morocco (1997) tunisia (1997) brest/ france (1997) frankfurt/ germany (1997 - 1999) whangaparaoa/ new zealand (1999) frankfurt/ germany (1999 - 2002) bantry/ ireland (2002) constance/ germany (2002 - 2003) jakarta/ indonesia (2003) kuala lumpur/ malaysia (2005) bangkok/ thailand (2005) bali/ indonesia (2005) constance/ germany (2006) chicago/ usa (2006) windsor/ canada (2006) kuala lumpur/ malaysia (2006) brussels/ belgium (2006) peniche/ portugal (2006) london/ uk (2006) munich/ germany (2007) frauenfeld/ switzerland (2007) berlin/ germany (2007) vienna/ austria (2007) london/ uk (2007 - 2008) currently inberlin/ germany
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1 comment:
Well, I like to hear singers singing, I don't like to hear them talking about singing - nor watch them playing ping-pong or the like. But I think this clip is nothing but the standard procedure by which such projects are said to have to be offered to the public. And there is a way of getting 'solemnly' when dealing with lyrics that is a bit nauseating to me.
On the other hand since I think Mrs. Meerbaum-Eisingers poetry is worthwhile being read I cannot think of no good reason why it shoudn't be listened to. Although you are right - at least I could have thought of singers much more to my liking.
Discussing presence or absence of 'kitsch' in lyrics - especially in lyrics being created under such ridiculous circumstances - I don't really feel apt to do. Sometimes I would agree with you regarding Mrs. M-E's poetry, and then I would strongly disagree. I do like her poetry - perhaps the way I like a pair of glittering shoes with broken heels that can't be mended.
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