those of you who know me...

know i'm useless when it comes to correct word counts. so it seems only logical that what i thought to be 27 norm pages are actually 36 norm pages. still not much, i know, i know. i have finished the fifth proper edit now and, as a next step, will have another look at the original draft to see whether maybe there was something in it i deleted but that's actually still useable. the only problem poses my printer that has been acting funny ever since i have been using improper refill cartridges. it used to work just fine in the beginning, it has been telling me for a while now, though that the colour cartridge is empty (i never even used nor replaced it!) and that because of that i can't print anything in black and white, either. grrrr.

it's this time of the year again

ingeborg bachmann preis - tage der deutschsprachigen literatur, klagenfurt, austria, 25 - 28 june.

live-stream online and live on 3sat (16 hours!).

translations of all selected submissions will be made available here.

personally, i won't be around this time, but i'll read in the supporting programme again next year.

off topic

(über facebook bei schorsch neu geklaut.)

edit no. 4, hot off the printer

ok, so i am done with edit number 4 of my little novella now. although still only at 27 norm pages (50.899 characters with spaces), i'm quite content with it. so far, i have only given it to stefan beuse to read, who gave me very encouraging feedback and who is the only one to know the working title of the manuscript still. i am planning on doing more editing and maybe even on adding more pages to it during my time on the road next week - the Arcotel Hotels have been so kind to sponsor a literary journey that will take me to Linz (AU), Klagenfurt (AU), and Zagreb (HR). as yet, i haven't made my mind up whether i'll bring my computer or not, as i am hoping that a macless journey would force me into writing more (less distraction). i will definitely bring my camera, though, and will take some pictures. speaking of pictures, here's a small selection of the ones i took on my most recent trip to the US:

max frisch's daughter on her relationship to her father

over at swiss radio station drs3. (in german.)

junot díaz and aleksandar hemon on contemporary american literature

over at NZZ.

some weird poem i wrote last september

YOU TO YOUR FAME
AS THE TWIGS OFF THE TRUNK
IN THE SKY.

copy paste: readings in berlin this week

DI, 2.6.2009, 20:30 Uhr
Nora Bossong, Nikola Madzirov und Daniela Seel
Kaffee Burger, Torstraße 58/60, 10119 Berlin (Mitte)

Nora Bossongs neuer Roman "Webers Protokoll" (Frankfurter Verlagsanstalt)
folgt den Wegen eines Diplomaten in der Nachkriegszeit zwischen Schuld und
Aufbruch. Historisches Material trifft auf große Kunstfertigkeit. Bossong
erhielt für ihre Lyrik und Prosa diverse Stipendien und Preise, u.a. den
Wolfgang-Weyrauch-Förderpreis 2007. Im Winter hielt sie sich im Deutschen
Haus in New York au; im Herbst wird sie Artist in Residence in China sein.

Nikola Madzirov, geboren in Strumica, lebt als Lyriker, Essayist und
literarischer Übersetzer in Makedonien. Für seinen bislang vierten
Gedichtband, "Versetzter Stein", bekam er den renommierten Hubert Burda
Preis für junge osteuropäische Lyrik. Madzirov ist zur Zeit Stipendiat in
Berlin. Wir werden seine wunderbar klaren, nie ganz auflösbaren Gedichte
zweisprachig lesen.

Daniela Seel war lang bevor sie den Verlag kookbooks gründete selbst schon
Dichterin. Hoch artifiziell und gerade dadurch hautnah schreiben ihre Texte
an den Grenzen von Wahrnehmung und Denken, Semantik und Sound, von Körper
und Luft entlang. Sie liest aus aktuellen, noch unveröffentlichten Texten.


FR, 5.6.2009, 20.30 h
COTTEN: Glossarattrappen. Bildprosa.
Dock 11, Kastanienallee 77, 10435 Berlin (Prenzlauer Berg)

KOOK richtet ein Minifestival aus Lyrik, Songs und Bildern ein, dieses
Wochenende im Dock 11. Am ersten Abend liest die großartige Lyrikerin Ann
Cotten:

Ann Cotten wandelt ihre Internet-Einträge in den GLOSSARATTRAPPEN nach
Notwendigkeit um oder löscht sie. Es kommen laufend neue hinzu, um sich in
das Chaos der Welt einzuklinken. Fotos und Zeichnungen sind eine Auswahl aus
allem, was ihr vorliegt. Es gibt Zitate. Das Netz bietet eine
Kontextlosigkeit, die erfrischend ist. Remember: it's fun - ein Fächer mit
tieftönenden Geräuschen.


SA, 6.6.2009, 20.30 h
POPP: Kolonie Zur Sonne. Gedichte.
BÖTTCHER: Vom anderen Ende des Flures. Songs.
Dock 11, Kastanienallee 77, 10435 Berlin (Prenzlauer Berg)

Am zweiten Abend spielt Jan Böttcher Songs zu Texten von Steffen Popp:

Der Verlag kookbooks wirbt mit "Poesie als Lebensform" - Steffen Popp hat
den schönen Ausruf jüngst mit seiner Poetik unterfüttert. Sprache sei nicht
im Hintertreffen mit der Wirklichkeit, sie erzeuge eine Wirklichkeit erst
selbst. So sei das Gedicht, in seiner Lebensferne, nichts anderes als eben
unser Bemühen um dieses Leben. Über Popps aktuellen Gedichtband, so
antiromantisch wie zart, urteilt die FAZ: »Hier finden sich einige der
schönsten Möglichkeiten, in deutscher Sprache dichterische Erfahrungen zu
machen.«

Jan Böttcher schreibt seine Lyrik seit Jahren ausschließlich in Liedform.
Viele Jahre hat er für die Band Herr Nilsson gesungen - mit seiner ersten
Soloplatte zeigt er, dass er sowohl der musikalischen als auch seinen zwei
texterischen Seelen treu bleibt: poetisch offene Lieder über die verlorene
Jugend und unsere immerwährende Nähe zur Klinik finden sich neben
satirischem Bashing auf Wellness, Hitler-Filme und die Geschäftspraktiken
der Pornobranche.

(taken from postsecret.)

two bookstores that impressed along the way:

Kramer's in washington DC and mcNally Jackson in new york city.

back. and mark twain/ samuel clemens documentary.

sorry, long absence.

on sunday, 7 june 2009, arte will broadcast a documentary about mark twain's life at 22:00 CET. the film was made in 2004 by ken burns.

done with edit number three

am currently at 46.105 characters including spaces. still not much, but already 10.000 more than i had after the second edit. feel a little lost now that this round is over, but i need to pack and walk the neighbours' dog soon.

"it isn't what you're thinking. no, it's worse."

craig arnold is presumed dead from a fall now. (quote above from his poem incubus.)

word count ↑

ok, so i am still working on the third edit of my novella BUT i have completed its second part (of five) just now and already am at 30.795 characters including spaces. this is fantastic, as i was only at 35.000 for the whole thing after edit number two. i am planning to finish the third round by the end of this week, i.e. before i go on holiday to mainz, frankfurt, and washington DC. the idea is to let the manuscript ripen until i'll be back, and then to re-work it once more with a fresh mind. not sure how many more edits i'll need after the fourth, certainly one, if not two or three. but, like i said, i will keep you posted.

hilde domin documentary, sunday, 10th may, 3sat, 21.45 - 23.20

more information here.

(image by sushi who is also working for DIE FREIE LANZE.)

i have started the third edit of my novella today. as per usual, i previously confused counting 'characters including spaces' with the ordinary word count - only this time to my disadvantage. turns out, my second edit lacks many more words than i thought it would. we'll see how comfortable i'll feel about padding as much. the original draft of the piece was almost triple as long as the second edit is, but i'm very content i cut out all that crap for good reason. in the third round now, editing takes me about an hour per A4 page, depending on how much i add. i'm starting to get a little excited at this point. still loads of work ahead, though.

zehn seiten

i've been wanting to post this link for a long while now. my personal favorites are rafik shami, gernot wolfgruber and stefan beuse. it's also interesting to note how benjamin lebert's voice changes once he starts reading. michael stavaric and thomas meinecke are featured as well.

american award-winning poet craig arnold went missing on a volcano hike in japan three days ago. peter parolin, head of the english department where arnold teaches, explained this by saying "he feels the need to go to places that people don't go and come back and tell us about them," on CNN. uhm, i know for a fact that he used to write poems about very mondane topics, too. either way, if you're in japan and happen to spot him, please tell local authorities.

zurich, 15 may 2009

my favorite book shop in zurich, pile of books, hosts another poetry & songwriter night - this time featuring anne blonstein and bobby vacant. due to a limited number of seats, they will be playing two sets, the first one starting at 7:30 pm and the second at 9:00 pm. in any case, it is highly recommended to make reservations. admission is free, which is unusual for zurich, however, small donations would be very much appreciated.

i wasn't gon' say nothin'

but i've changed my mind due to the good progress i made in the past week.

i am working on my first novella.

[pregnant pause.]

and i am halfway through my second edit.

it's rather short overall, which is why i wouldn't want to call it a novel. after all, it's really only an attempt. but as this started off as a blog about my being a writer, i'd like to let you know how i proceed.

so far, i've managed to develop a story idea that has been around for a while - about a year or so - into a prose script i still enjoy working on. this is a good sign as it shows that the subject is deep enough to immerse myself in. it's a first person-narrative and there's still plenty of research to do, though, reading up on some history, looking at pictures and stuff. not necessarily because i want to incorporate everything in it, but to get in the mood for padding the draft somewhat later on. i do have a title in mind as well, which crossed my mind roughly a week ago and, in a way, drove the whole project home for me. even if it will eventually turn out to have been just a working title, having one at this point helps me focus on the essence of the text.

i am very excited about this. and happy, too, that i am finally, finally scripting. what is more, it feels good to tell you about this and to bring this blog back to its roots as a work log. having said this - i'll keep you posted.

(taken from postsecret.)
((if you're into that kind of thing, try this.))

publishing on demand

the UK invented books to go.

draft and rough translation

lese eure stimmen / stimmt
dass sie in stille verschwanden
die stille die immer ist / aussen an jedem gehirn
es sind nicht die stimmen / die stimmen
es sind eure pausen / die luftholgedanken
die hängen an zeilen wie jenen die
raus sind aus eurem gekopf / aufs papier.


read your voices / right
they are now silence
like silence that's / outside of every brain
they are not voices / right
they are your silence / the deep breaths
that stick to your lines like the ones
that are outside your brainness / on paper.

DIE ZEIT has an article on johannes jansen, whom i read with at kaffee burger last december.

edition suhrkamp has published his new manifest, as they call it, this january: Im Durchgang.

there's more on johannes' work in general, adorned by one of ann cotten's drawings, over at in|ad|ae|qu|at.

how to revise

harvard business publishing has suggestions on how to revise an email.

should you be more interested in learning how to revise prose, you should have a look at richard lanham's works: either the longman guide to revising prose (2006) or just revising prose (2000).

nora bossong reading in berlin

nora bossong is going to read from her second novel 'webers protokoll' on 17 april 2009 at STUDIO der schaubühne, Ku'damm 135, from 22:30 on. i haven't read that book, nor have i read 'gegend', her debut, but i do like her poetry, and am thinking that her readings might be worth a visit. as the attentive among you might know, i have been trying to translate her poem 'leichtes gefieder' before, but unfortunately to no avail (yet). cover charge for the LESbar reading is 5,- € and you can make reservations here.

ron winkler on criticism of 'lyrik von jetzt' (23 march 2009)

der metroprolet dug out this today. (more on ron winkler @ wikipedia.)

oh well

so i didn't make it into the final 7 of the mdr literary prize. they said they received 1.890 short stories, many of which of "extraordinary quality". they will compile a book of some of those, but i certainly won't get my hopes up for being featured. it will be interesting to see who'll be going to win this prize, though. watch the readings and the award ceremony live on 4 may 2009 from 19.30 on MDR.

no news yet

from the mdr literary prize team. i'm thinking that that's a bad sign, as they said they would get back in touch by the 15th of april - finalistis, it seems, should be informed in advance, since they need to make travel arrangements and stuff. well, i haven't heard anything yet, so go figure.

another thing i have been contemplating is writing a fresh piece for this year's open mike competition. it's just that i can barely write at this point. no ideas, no patience, no words. that's the worst. no words.

bluetenleser has reactivated their newsletter to inform the german-speaking world about tv and radio programmes dealing with all things literary. the following documentary sounded interesting:

9. April 2009, 23:40 Uhr, arte
WIE WIRD MAN BESTSELLER?
Dokumentation, Deutschland 2008, SWR. Erstausstrahlung
Der Erfolg eines Buches wird meist in Verkaufszahlen gemessen. Wie viel Marketing steckt hinter einem Bestseller und was haben Qualität und Erfolg miteinander zu tun? Thomas Palzer beleuchtet den deutschen und französischen Literaturbetrieb zwischen Anspruch und Big Business.

hingehen!

(taken from postsecret.)